Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Saturday, January 16, 2016

BBC's new War and Peace: where is the music?

(The Hussars' Ballad)

A hussar hero of 1812, Denis Davydov

I know what I really-really miss in BBC's new TV adaptation of Tolstoy's 'War and Peace', it's the music.

Many greatest scenes in the novel, and in previous screen versions, are accompanied by great musical background: Natasha singing and dancing, armies marching and the great ball with the Emperor. In the first two episodes of the BBC series there is hardly any music, if at all.

BBC's guide to War and Peace and the new TV series has a dedicated page here. Don't get lost in Russian names and complicated narrative.

The lack of music on the one hand, and the obvious 'sexing-up' of Tolstoy in the new adaptation reminded me of a tremendously popular Soviet musical comedy 'The Hussars Ballad' ("Гусарская баллада", Wikipedia article in English here). Eldar Ryazanov's film is based on a play 'A Long Time Ago' ("Давным-давно") by Alexander Gladkov with original score by Tikhon Khrennikov.

The story is a comedy of errors. Shurochka (Alexandra), a young patriotically minded girl runs away from home dressed up as a hussar cornet (second lieutenant, like the young Churchill) and joins the Russian army fighting Napoleon's invasion in 1812. There, she finds her own true love, gets decorated with a medal, meets field-marshal Kutuzov and the hussar hero of the war Denis Davydov (Davyd Vassiliev in the film and Vassily Denisov in Tolstoy's novel). All along she and others sing beautiful songs.

The film and the musical numbers are still very popular and Poruchik (lieutenant) Rzhevsky, the main male character, since the film has started a folk lore life of its own as a hero of numerous bawdy jokes. This is where the 'sexing-up' reference comes in.

Story lines in the film are reminiscent of Tolstoy's many subplots and there really was a woman in 1812 who sneaked in disguise into the Russian cavalry during the war.

The film is available in full on the Mosfilm's YouTube channel here. (no subtitles, but you won't need them). And here is the Song of King Henry IV from the film, the whole Napoleonic invasion of 1812 in 100 seconds (lyrics unrelated to the story).

 

Wednesday, March 20, 2013

Lenin and the Gardeners.


BBC Radio 4 today broadcasts an investigation into the alleged secret trip Lenin made to Letchworth Garden City in England, the first of its kind town, inhabited by juice-drinking sandal-wearing hippy-socialists.

The episode is semi-legendary. It's supposed to have taken place in 1907, when Russian socialists met for a crucial conference in London. The conference was taking place in the wake of the first, unsuccessful, Russian revolution of 1905. The tsar was rolling back the limited reforms and repressing any protest. Revolutionaries were in panic and despair. The atmosphere was brilliantly captured by Maxim Gorky, who was present at the conference, in the essay 'V.I. Lenin' (text here).

The Radio 4 team of investigators includes the author Dame Antonia Byatt; the leading authority on Edwardian socialism, Professor Sheila Rowbotham; and the science fiction writer and socialist, Ken MacLeod.

Details of the programme are on the BBC website here

Tuesday, March 06, 2012

Russian Women



OpenBooks sent me an advance blurb of the new book, a collection of essays edited by Wendy Rosslyn (Nottingham University) and Alessandra Tosi (Cambridge) 'Women in Nineteenth-Century Russia: Lives and Culture'
I look forward to reading it, not least because I am familiar with Rosslyn's previous works on Anna Akhmatova and on women in Russian literature of the 18th Century, an obscure but incredibly fascinating subject, considering that Russia had four empresses in that one century. Three of them, including Catherine the Great, were incredibly successful in building a great and dynamic country. It would be interesting to see what Rosslyn and Tosi have to say on women of the 19th (and the beginning of the 20th).  

The blurb says:
Russian women of the nineteenth century are often thought of in their literary incarnations as the heroines of novels such as Anna Karenina and War and Peace. But their real counterparts are now becoming better understood as active contributors to Russia’s varied cultural landscape.
This collection of essays examines the lives of women across Russia from wealthy noblewomen in St Petersburg to desperately poor peasants in Siberia discussing their interaction with the Church and the law, and their rich contribution to music, art, literature and theatre. It shows how women struggled for greater autonomy and, both individually and collectively, developed a dynamic but often overlooked presence in Russia's culture and society during the long nineteenth century (1800-1917).
Other works by Wendy Rosslyn:

- Anna Bunina (1774-1829) and the Origins of Women's Poetry in Russia (Studies in Slavic Language and Literature) (on Amazon)

The Prince, the Fool, and the Nunnery: The Religious Theme in the Early Poetry of Anna Akhmatova (on Amazon)

Wednesday, December 07, 2011

Richard Sorge, a hero of Pearl Harbor.


Richard Sorge in 1940


Today is the 70th anniversary of Japan's attack on Pearl Harbor, the event that brought America into the second world war*, which, in turn, meant that 
- there was no way that Japan would attack Russia in the Far East; 
- Britain was getting America as an ally against Hitler and was going to war against Japan;
- Germany and Italy were to go to war against America;
- Russia (Soviet Union) was positioned as an Ally of both the USA and Britain;
- and, perhaps most importantly, the strategic odds in the world at war were tipping against Germany. 

Tragic as it was, Pearl Harbor marked a turning point in the war, one of the most important in the chain of events that lead to the Allied victory in 1945.

There is one man who may have been the hero, or anti-hero, depending on how you look at the events, of Pearl Harbor. His name is Richard Sorge (Ree-khard Zohr-gheh), a Soviet spymaster, who ran a secret intelligence network in Tokyo working for the Red Army general staff. He was arrested by the Japanese in October 1941, before the attack on Pearl Harbor, but before that he is generally credited with providing Moscow with three crucial bits of information:

- In the first half of 1941 he passed on details of Hitler's imminent attack on Russia, until then a de-facto ally of Germany, including the exact or almost exact date of the invasion. That report was dismissed by Stalin.
- Later in the year he reported to Moscow that Japan will not attack Russia in the Far East. This time Stalin listened and the Red Army was allowed to move 26 fully equipped, winter-ready and battle-wise divisions from the Far East and Siberia to Moscow. The Russian counter-attack began on 5 December 1941, two days before Pearl Harbor. Hitler's army was pushed back. 
- Sorge also reported that Japan was about to strike South, against America and Britain.

Articles and books about Sorge concentrate on the intelligence he collected and passed on. What still may not be fully understood is his work as an agent of influence. Japan's decision to attack Pearl Harbor was the result of fierce infighting between several political and military factions in Tokyo, notably the Army and the Navy. The Navy saw little glory for themselves in concentrating on land expansion. Sorge through his contacts, some high-placed, may have played an important role in swaying the balance towards attacking America.   

This last bit was investigated by the notorious House Committee on Un-American Activities in 1951  with a view of uncovering red spies who may have helped to catch America 'with her pants down' at Pearl Harbor. They concentrated on how the attack helped the Russians, but did not look into the possible links to British intelligence, in Japan and in the USA. Britain stood to profit from the American entry into the war, but neither in 1941, nor in 1951 could admit to have covertly worked to engineer such entry. 

Sorge was working undercover as a correspondent for several German newspapers. Earlier he joined the nazi party to facilitate his intelligence work. In Tokyo he was well-known on the society circuit and knew everyone who mattered, including the British who still were not at war with Japan. The spy writer Chapman Pincher (wiki) in his book 'Their Trade is Treachery' asserted that Sorge recruited Roger Hollis, the future head of MI-5 in 1930s in China (wiki). This has never been proven, but still can be taken as evidence of Sorge's activity involving the British. 

What distinguishes spies of that era is that many of them, like Philby, were politically motivated intellectuals who thought that working for Russia was working against nazism. In the case of Sorge, whose mother was Russian and father German, there may have been both a patriotic and an internationalist motive. In his mind he may have been serving both his home countries, Germany and Russia, when he worked for the defeat of the nazis and the victory of the Allies, and ultimately of democracy. 

I find it difficult to write this, but the fact remains, Pearl Harbor, with all its human loss, silenced isolationists in America and lead to her joining the fight on the 'right side', the side of democracies. 

Soviets, being on the winning side, did impose their regime on Eastern Europe. But millions of Russian soldiers, having marched through Europe, returned home with first-hand experience of the higher standards of living and a bug of democracy – at least some notion of the West's democratic ways – and a desire for a better life. One of them was a political commissar named Nikita Khrushchev. Twenty years after Sorge's execution, the leader of the Soviet Union Khrushchev saw the French film 'Qui êtes-vous, Monsieur Sorge?', checked with his spy bosses and outed Sorge who until then was not recognised by Russia as one of her spies. Moscow refused Japan's offers of trading him for their own spies and it is still not entirely clear why. 'Because that would mean admitting that it was us who turned Japan against America', one Russian academic told me in the 80s.

Or perhaps it was to cover Sorge's links in the US and Britain, still active many years after the war ended. 

In 1964 on Khrushchev's initiative Sorge was awarded medal of the Hero of the Soviet Union, the country's highest decoration.

The film Qui êtes-vous, Monsieur Sorge? (dubbed in Russian) is available on YouTube. It is based on the book by Hans-Otto Meissner 'The Man with Three Faces: Sorge, Russia's Master Spy'. The Russian text is here.



Photo: Deutsches Bundesarchiv (German Federal Archive) 

*WWII or World War II is Henry Luce's invention to which I strongly object and try never use it. Wars don't deserve to have royal names.

Check this chronology if you are interested in who went to war against whom when on whose side.

Monday, April 18, 2011

The History of Russia. Takes and Breaks.


The BBC starts today a major new series on Russian history, The Wild East (begins at 15:45 Greenwich time). The series are to cover a thousand years from the founding of Kievan Rus to modern day, and explain why the country swings from opening to reforms and democracy and then reverting back to autocracy and stagnation. The series with an accompanying book were apparently commissioned in connection with the 20th anniversary of the dissolution of the Soviet Union in 1991.

The author-presenter is Martin Sixsmith, a Russian expert and a former BBC Moscow correspondent. He took part in last week's Radio 4 programme Start the Week to explain his idea. From what he says, it appears that he shares the view that Russia is somehow ‘not suited for democracy’ and that periodic returns to autocratic rule happen because ‘autocracy has worked’ there at times. You can almost hear bewildered gasps of other participants in the programme, some of whom also have first-hand knowledge of Russia. Arguments about Ivan the Terrible, Peter the Great, Stalin and other famous rulers have long been a staple of Russian table-talk. They are now brought to Western audiences.

Schedrin in 1872
The series is a huge undertaking and not to be missed. (Links to the programme are below the video.)

To illustrate how views of Russia and her history have been changing over time I add the first part of the US-made 1943 documentary The Battle of Russia. Then, of course, America, Britain and Russia were allies fighting Hitler. Careful: documentary footage there is mixed with sequences from feature films including Eisenstein's Alexander Nevsky with the score by Prokofiev.

And for a lighter take on Russian history, do read the hilarious satire by Saltykov-Schedrin (1869-70, wiki,), The History of a Town (Amazon link, Russian text here). Not often cited in the West, the book is very popular in Russia. Quotes, references and characters from it have entered the language as metaphors, idioms and proverbs. (An excerpt from the introduction to the book below the video.)

 

Start the Week discussion with Martin Sixsmith is here, available as podcast too.

The Wild East BBC page with the series schedule and press release here.

from Laughter in the Dark: The History of a Town reviewed years ago by V. S. Pritchett.

Shchedrin is known to English-speaking readers only by his great novel The Golovlyov Family, the most somber and pitiless instance of black comedy in Russian literature of the nineteenth century. Now, in the first English translation of The History of a Town, we see the master of political satire, for which he was best known in his own time. One sees at once that this book gave Zinoviev his model for The Yawning Heights, his uproarious fantasy written at the expense of communism under Stalin and Khrushchev a few years ago; the dissidents take pride in recovering the old Russian tradition. Zinoviev's fabulous lbansk (a double pun which means Ivan's town but also Fucktown)--derives plainly from Shchedrin's farcical history of Glupov or Stupid Town, in which for hundreds of years the bewildered and passive Russian peasants do what they can in a sluggish way to live with the violence and lunacy of their tyrants.

Portrait of M.E. Saltykov-Schedrin by Nikolai Ghe.
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